Contents

IMPORTANT NOTES
How To Use This Manual
- Quick Start
- Advanced Use
- Appendices
  - Notation Used in This Owners Manual
Contents
Main Features
Panel Descriptions
- Front Panel
- Rear Panel
Getting Ready
- Connecting External Devices
- Turning On the Power
  - Turning Off the Power
- Restoring the Factory Settings (Factory Reset)
- Listening to the Demo Songs
Quick Start
- Producing Sound
  - Getting Started
    - About the Playing Modes of the SH-32 (PATCH/PERFORMANCE)
    - Switching Modes
  - Standalone Play of Sounds (PREVIEW)
  - Playing a Sound with a MIDI Keyboard
  - Listening to the Preset Sounds
  - Using the Effects
  - Playing a Rhythm Set
- Modifying the Sound
  - Creating Sounds
  - Easy Sound Editing
    - 1. Selecting a Waveform (Oscillator)
    - 2. Working on Oscillator Waveforms (FILTER)
    - 3. Adding Changes in the Volume (AMP)
    - 4. Adding Modulation to the Sound (LFO)
    - 5. Adding an Effect
  - Saving the Sound
- Playing Arpeggio (Arpeggiator)
  - Turning On/Off the Arpeggiator
  - Changing the Arpeggiator Tempo
  - Playing the Arpeggio Together with a Rhythm Pattern
- Playing a Chord at the Touch of a Finger (Chord Memory)
  - Using the Chord Memory Function
  - Switching Chord Forms
Advanced Use
- Chapter 1. An Overview of the SH-32
  - How the SH-32 is Organized Internally
    - MIDI Connectors
    - Sound Generator
    - Arpeggiator
    - Controller
  - Patches, Rhythm Sets, and Performances
    - Patches (A11D88)
    - Rhythm Sets (r1U, r2U, r3P, r4P)
    - Performances (1-18-8)
  - How Characters and Numerals Are Displayed
  - About Memory
    - Temporary Memory
    - Rewritable Memory
    - Non-Rewritable Memory
    - Main Setting Destinations
  - Objects of Settings That Change with the SH-32s Mode
- Chapter 2. Creating Your Own Sounds
  - Creating Sounds that Reflect the Position of Sliders/Knobs (MANUAL)
  - Using Preview Function Hold to Continue Playing a Sound
  - Determining the Basic Waveform and Pitch (OSC 1 & 2)
    - Oscillator ON/OFF and Mix Balance (OSC 1, OSC 2, BALANCE)
    - Selecting the Fundamental Waveform (WAVE, VARIATION)
    - Determining the Pitch (OCTAVE, PITCH)
    - Creating a Fatter Sound by Adding Components One Octave Below the Sound (SUB OSC)
    - Changing the Pitch Over Time (PITCH ENV, ENV DEPTH)
    - Changing the Pulse Width of a Square Wave Periodically (PWM)
    - Creating a Metallic Sound (OSC 1X2 RING)Ring Modulator
    - Creating an Assertive Solo Sound (OSC 1X2 SYNC)Oscillator Sync
  - Changing the Characteristics of Sounds (FILTER)
    - Internal Filter Types and Functions (TYPE, SLOPE)
    - Setting the Cutoff Frequency (CUTOFF)
    - Using Resonance to Add Fullness to the Sound (RESONANCE)
    - Changing the Cutoff Over Time (A D S R, ENV DEPTH)
    - Changing the Filter According to the Keyboard Position (KEY FOLLOW)
  - Changing the Volume (AMP)
    - Changing the Volume Over Time (A D S R, ENV DEPTH)
    - Increasing and Decreasing the Rate of Change in Volume According to the Keyboard Position (TIME K...
    - Setting the Volume for Each Patch, Rhythm Set, or Performance
  - Modulating the Sound (LFO 1 & 2)
    - LFO Arrangement and Functions
    - Turning the LFO On and Off, and Switching Waveforms (LFO 1, LFO 2, FORM)
    - Adjusting the Rate of Modulation (RATE)
    - Adjusting the Modulation Depth (DESTINATION, DEPTH)
    - Synchronizing the Modulation to the Song Tempo (BPM SYNC, BEAT/CYCLE)
    - Other LFO Settings (FADE IN, KEY SYNC)
  - Other Settings (settings that can be saved to Patches)
    - Settings for Use in Playing Monophonic Sounds (SOLO, LEGATO)
    - Layering Sounds for Greater Fatness (UNISON)
    - Applying the Portamento Function (PORTAMENTO, PORTA TIME)
    - Applying Analog-Like Modulation to the Pitch (ANALOG FEEL)
    - Changing the Pan When Using Stereo Output (PAN)
    - Effect Settings
  - Saving the Sounds You Have Created (WRITE)
    - Auditioning to a Patch at the Save Destination
- Chapter 3. Applying Effects to the Sound (INS-FX, REV/DELAY)
  - About the Onboard Effects
    - Ways of Connecting Effects (INS > REV SERIES)
  - Using the Insertion Effects (INS-FX)
    - Turning the Insertion Effects On and Off
    - Selecting the Insertion Effects Type (TYPE)
    - Setting the Insertion Effects
  - Using the Reverb/Delay (REV/DELAY)
    - Turning the Reverb/Delay On and Off
    - Selecting the Reverb/Delay Type (TYPE)
    - Setting the Reverb/Delay
  - Applying Effects in Performance Mode
    - Selecting the Effect Settings Used in a Performance (Effect Source)
    - About Effect Settings in Performance Mode
- Chapter 4. Playing the Rhythm Sets
  - Selecting Rhythm Sets and Playing the Percussion Instruments
  - Editing a Rhythm Set
    - Making Settings for the Overall Rhythm Set
    - Making Settings for Each Rhythm Tone (Percussion Instrument)
  - Saving Changed Settings (WRITE)
- Chapter 5. Using in Performance Mode
  - Selecting a Performance and Playing the Patch for Each Part
    - Selecting the Patch for Each Part (Part Assign Mode)
  - Playing Sound in More Than One Part (Multitimbre)
  - Layering Patches for a Thicker Sound (Part Stack Function)
  - Editing a Performance
    - Settings Affecting the Overall Performance
    - Making Settings for Each Patch or Rhythm Set in the Parts
    - Securing the Number of Oscillators in Each Part (Oscillator Reserve)
  - Saving Changed Settings (WRITE)
- Chapter 6. Using Arpeggiator (ARPEGGIATOR)
  - About Arpeggiator
  - Playing Arpeggios
    - Turning Arpeggiator On and Off
    - Determining the Tempo for Arpeggio Performances
    - Selecting Styles for Arpeggio Performances (STYLE)
    - The Relationship Between Arpeggio Styles and Rhythm Styles
    - Changing the Beat and Shuffle (GRID)
    - Applying Staccato and Tenuto (DURATION)
    - Changing the Range of the Arpeggio (RANGE)
    - Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds) (MOTIF)
  - Creating Your Own Styles
    - Creating Styles by Playing the Notes as They Are to Be Performed (REALTIME)
    - Creating Styles by Playing Sounds One At a Time (STEP)
    - Creating Styles Using an External Sequencer
    - Saving the Styles You Have Created (STORE)
  - Using Arpeggiator in Performance Mode
    - Selecting the Style
    - Specifying the Part Used to Play the Arpeggio
    - Arpeggiator Parameter Settings
    - Creating Styles
- Chapter 7. Using the Chord Memory Function (CHORD)
  - About the Chord Memory Function
  - Performing with the Chord Memory Function
    - Turning Chord Memory Function On and Off
    - Selecting Chord Forms
    - Creating Your Own Chord Forms
  - Using the Chord Memory Function in Performance Mode
    - Selecting the Chord Form
    - Specifying the Part to Use the Chord Memory Function
    - Chord Memory Parameter Settings
    - Creating Chord Forms
- Chapter 8. Using the SH-32 with External MIDI Devices
  - About MIDI
    - MIDI Connectors
    - About MIDI Channels
  - Setting the MIDI Channel (MIDI CH)
    - Setting the Receive Channel in Patch Mode
    - Setting the Receive Channel for Each Part
  - Playing the SH-32 from an External MIDI Keyboard
    - Changing the Sound with Modulation (MOD)
    - Determining the Amount the Pitch is Changed with the Pitch Bender (P. BEND)
    - Changing the Sound with Aftertouch (AFTERTOUCH)
    - Changing the Sound According to the Force Used to Play the Keys (VELOCITY)
  - Selecting SH-32 Sounds from an External MIDI Device
  - Synchronizing Arpeggiator and the LFO to an External MIDI Device
  - Saving SH-32 Settings on an External Sequencer (BULK DUMP)
    - Restoring Saved Content to the SH-32
- Chapter 9. Other Settings
  - Settings Applied to the SH-32 Overall (System Settings)
    - Procedure for Making the System Settings
    - What the System Settings Do/ System Setting Functions
    - Switching the Low Boost Function On and Off
    - Selecting the Status to Use When the Power is Turned On
    - Selecting the MIDI Messages Used to Transmit Panel Control Information
    - Changing the SH-32s Device ID Number
  - Restoring the Factory Settings (Factory Reset)
Appendices
- Troubleshooting
- Error Message List
- Patch List
- Rhythm Set List
- Performance List
- Arpeggio Style List
- Rhythm Style List
- Chord Form List
- Parameter List
  - Patch Parameters
  - Rhythm Set Parameters
  - Performance Parameters
  - System Parameters
- Effects List
  - Insertion Effects Parameters
  - Reverb/Delay Parameters
- MIDI Transmit/Receive Setting List
- Specifications
- Index
- Blank Chart Use these for keeping notes regarding your tone settings.

Roland SH-32 Owner's Manual

Pages 124

Year 2001

Language(s)

of 124

Roland SH-32 Specification

The Roland SH-32 Synthesizer is a versatile and compact synthesizer designed for musicians seeking rich sound capabilities and portability. It features a four-part multitimbral engine with 32-voice polyphony, enabling the creation of complex and layered sounds. The synthesizer employs a combination of virtual analog synthesis and waveforms derived from classic Roland instruments, offering a wide palette of sonic possibilities.

Its interface is user-friendly, with dedicated knobs and sliders for real-time control, allowing for intuitive sound shaping. The SH-32 includes 67 waveforms, including classic analog-style waves and PCM waveforms, providing a diverse range of tonal characteristics. Additionally, the unit offers 128 user memory locations for storing custom patches, ensuring musicians can easily access their preferred sounds.

The device is equipped with a robust effects section, featuring reverb, chorus, and multi-effects, which can be applied to enhance the sonic texture. The onboard arpeggiator and phrase recorder expand creative possibilities, allowing users to craft dynamic sequences and patterns. Connectivity options include MIDI I/O, ensuring seamless integration with other MIDI-compatible devices and software setups.

The SH-32's compact design makes it ideal for both studio and live performance environments, fitting easily into various setups without sacrificing functionality. Its durability and build quality are aligned with Roland's standards, providing reliability for professional use. Overall, the Roland SH-32 Synthesizer stands out for its blend of classic and modern sound capabilities, intuitive controls, and portability, making it a valuable tool for both novice and experienced musicians.

Roland SH-32 F.A.Q.

How do I initialize a patch on the Roland SH-32?

To initialize a patch on the SH-32, press the 'Patch' button to enter patch mode, then hold down the 'Shift' button and press 'Tone Init'. This will reset all parameters of the selected patch to their default values.

What is the proper way to connect the Roland SH-32 to an external sequencer?

Connect the MIDI OUT of the external sequencer to the MIDI IN of the SH-32. Ensure that both devices are set to the same MIDI channel. You can configure the MIDI channel on the SH-32 by pressing 'Shift' and 'System Setup'.

How can I troubleshoot if there is no sound coming from my Roland SH-32?

First, check the volume level and ensure that the cables are properly connected. Verify that the correct output is selected and that the SH-32 is not in 'Mute' mode. Also, check the global settings to ensure that local control is on.

What maintenance does the Roland SH-32 require to remain in good condition?

Keep the SH-32 in a dry, dust-free environment. Regularly clean the exterior with a soft, dry cloth. Avoid using solvents or abrasive cleaners. Periodically check all connections and cables for wear and replace them as necessary.

How do I update the firmware on the Roland SH-32?

Currently, there is no firmware update process available for the Roland SH-32 as it does not support firmware updates. Ensure you have the latest operating system for optimal performance.

Can I use the Roland SH-32 as a MIDI controller for my DAW?

Yes, you can use the SH-32 as a MIDI controller. Connect the SH-32 to your computer via a MIDI interface, and configure your DAW to recognize the SH-32 as a MIDI input device.

How do I save my custom patches on the Roland SH-32?

To save a custom patch, press the 'Write' button, select the desired user memory location using the value dial, and press 'Write' again to confirm. Ensure to choose a location that won't overwrite important data.

What should I do if the SH-32 displays an error message on startup?

Turn off the unit and disconnect it from the power source. Check all external connections and reconnect them firmly. If the error persists, consult the user manual or contact Roland support for further assistance.

How can I create a split keyboard setup on the Roland SH-32?

The SH-32 does not support keyboard splits directly, but you can achieve a similar effect by using an external MIDI keyboard with split capabilities, sending different MIDI channels to the SH-32 to control different patches.

What is the best way to back up my Roland SH-32 settings?

You can back up your settings by using a MIDI librarian software to send a SysEx dump from the SH-32 to your computer. Ensure all connections are secure and follow the software instructions for capturing SysEx data.