Behringer BC1200 Quick Start Guide
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Position each microphone according to the type of drum. Place the kick drum mic inside the drum for a deep bass sound. Snare and tom mics should be positioned about 1-2 inches above the drumhead and aimed towards the center. The overhead mics should be placed symmetrically above the drum kit at a height of about 3-4 feet for balanced cymbal capture.
First, check all cable connections and ensure they are secure. Test the microphone with different cables and inputs to rule out cable or input issues. Verify that the phantom power is enabled if using condenser mics. Lastly, test the mic on another audio interface or mixer to see if the problem persists.
To reduce feedback, ensure that mics are not pointing directly at monitors or speakers. Use a graphic equalizer to cut the frequencies that are feeding back. Properly position the mics and consider using noise gates to manage sound levels.
Regularly clean the microphones with a soft, dry cloth. Store them in a case to protect them from dust and moisture. Check cable connectors for wear and tear, and replace them if necessary. Periodically test each microphone to ensure it is functioning properly.
Yes, the BC1200 microphones can be used to record other instruments. The dynamic mics are well-suited for amplifiers and brass, while the condenser microphones can capture acoustic instruments and vocals, providing good versatility beyond drums.
Check for any loose connections or damaged cables. Try using a different cable to see if the issue persists. Make sure the microphone is not near any appliances or devices that may cause interference. If the problem continues, test the mic on a different audio interface to determine if the issue is with the microphone itself.
Use a high-quality audio interface with good preamps. Position the mics correctly for each drum to capture the best sound. Consider using acoustic treatment in your recording space to minimize unwanted reflections. Post-process your recordings with EQ and compression for a polished sound.
Avoid placing mics too close to the drumhead, which can cause distortion. Ensure that all mics are securely mounted to prevent movement during recording. Make sure cables are properly managed to avoid tripping hazards and interference.
While not necessary for drum recordings, a pop filter can be useful if you use the BC1200 microphones for vocals or other close-mic applications where plosive sounds are an issue.
Check that your audio interface or mixer has enough inputs for all microphones in the set. Ensure it can supply phantom power if you are using condenser mics. Verify that your cables are XLR and in good condition for a secure connection.