Yamaha SKRM100 Owner's Manual
![Yamaha SKRM100 Subkick manual cover](/images/jxWvFMknGBcnsCKPsvkQAIaS/thumbs/thumb175x175.webp)
Connect the SKRM100 Subkick to your audio interface using an XLR cable. Plug one end into the Subkick's output and the other into a mic preamp input on your audio interface. Ensure phantom power is turned off as the Subkick does not require it.
Place the Subkick about 2-6 inches away from the kick drum resonant head, directly in front of the beater impact area. Experiment with distance and angle to find the best low-end response for your recording.
First, check all cable connections to ensure they are secure. Test the XLR cable with another microphone to rule out cable issues. Verify that the input gain on your audio interface is turned up. If the problem persists, test the Subkick with a different audio interface or mixer to determine if the issue is with the Subkick itself.
The SKRM100 Subkick requires minimal maintenance. Regularly check the condition of the diaphragm for dust or debris and clean it gently with a soft cloth. Inspect the cabling for wear and tear and replace as needed. Store in a dry, temperature-controlled environment to prevent damage.
Yes, the SKRM100 Subkick can be used for live performances. It should be placed on a stable stand and positioned similarly to studio recordings. Ensure that it is securely connected to the PA system through a mic preamp to capture the low-end frequencies effectively.
The SKRM100 Subkick captures and enhances the low-frequency "thump" of a kick drum. It provides a deep, resonant bass sound that complements the mid and high frequencies captured by traditional microphones.
While primarily designed for kick drums, the SKRM100 Subkick can be creatively used on other bass-heavy instruments like floor toms or bass cabinets. Experiment with placement to achieve the desired low-frequency enhancement.
To prevent feedback, avoid positioning the Subkick too close to stage monitors or other speakers. Use a parametric EQ to cut problematic frequencies and work with the sound engineer to set appropriate gain levels.
Unwanted noise may be due to ground loops or electromagnetic interference. Ensure all equipment is properly grounded, use balanced cables, and keep the Subkick away from power cables and other electronic devices.
Yes, combining the Subkick with a close mic on the beater side of the kick drum can provide a fuller and more balanced kick drum sound. Blend the signals to taste during mixing to achieve your desired sound profile.