Shure SM81 User Guide

To set up the Shure SM81 for optimal sound quality, ensure it is mounted on a stable stand. Position it at the desired distance from the sound source, typically 6-12 inches for most applications. Use the low-frequency roll-off switch to reduce handling noise or room rumble if necessary.
The Shure SM81 is ideal for capturing acoustic instruments, such as guitars, pianos, and cymbals, due to its flat frequency response and low self-noise.
To reduce unwanted noise, use the built-in low-cut filter to eliminate low-frequency rumble. Additionally, make use of shock mounts and wind screens to minimize handling noise and plosives.
Regularly clean the microphone with a dry, soft cloth to remove dust. Store it in a dry, cool place in its case when not in use. Periodically check the cable and connections for wear or damage.
Check the microphone cable for breaks or loose connections. Ensure the phantom power is turned on, as the SM81 requires it to operate. Test the microphone with a different cable and mixer to isolate the issue.
Yes, the SM81 is suitable for live sound applications, particularly for overheads, hi-hats, and acoustic instruments, due to its rugged build and excellent sound quality.
The SM81 has a cardioid polar pattern, which helps focus on the sound source while rejecting ambient noise from the sides and rear, making it ideal for isolating instruments in a mix.
Position the microphone away from monitors and speakers. Use the cardioid pattern to your advantage by pointing the rear of the mic towards potential feedback sources. Adjust EQ settings to reduce frequencies that may cause feedback.
Reposition the microphone closer to the sound source to increase the signal-to-noise ratio. Employ the low-cut filter to reduce low-frequency background noise. Consider using acoustic treatment in the recording space if possible.
While primarily designed for instruments, the SM81 can be used for vocals, especially if a flat and natural response is desired. However, it's recommended to use a pop filter to minimize plosives and sibilance.