Peavey XR-800C Owners Manual
![Peavey XR-800C Mixer manual cover](/images/rtGaLtqAasPrBwJmSQXNrlDP/thumbs/thumb175x175.webp)
To connect microphones, plug the XLR cable from your microphone into one of the available XLR input channels on the mixer. Ensure that the channel is set to microphone level input and adjust the gain accordingly.
To perform a factory reset, turn off the mixer, then press and hold the "Reset" button while turning the power back on. Hold the button for about 5 seconds until the mixer resets.
Check that all cables are properly connected and that the main volume and individual channel faders are turned up. Also, ensure that the mute buttons are not engaged and that power is supplied to the mixer and connected speakers.
Regularly clean the mixer with a dry, soft cloth. Keep the mixer in a dust-free environment and avoid exposure to moisture. Periodically check all connections and faders for wear and clean them with appropriate contact cleaner if necessary.
To reduce feedback, position microphones away from speakers and reduce the gain on the microphone channels. Use the equalizer to cut troublesome frequencies and consider using an external feedback suppression device if necessary.
Check for ground loop issues by ensuring all equipment is connected to the same power source. Use balanced cables for connections and check for faulty cables or connectors.
Connect the output of your external effects unit to the FX return on the mixer using a 1/4 inch cable. Adjust the FX send on the channel you want to apply effects to and the FX return level to balance the effect in the mix.
Yes, connect the main output of the mixer to your recording device's input using the appropriate cables. Adjust the levels to ensure a strong signal without clipping.
Check the power cable and ensure it is securely connected to both the mixer and the power outlet. Verify that the outlet is functioning correctly and check the mixer's fuse if necessary.
Start with all EQ controls at their neutral (center) position. Adjust the EQ on each channel to enhance the sound as needed, focusing on cutting problem frequencies rather than boosting. Listen critically and make adjustments based on the acoustic environment.