Behringer Model D User's Manual

Behringer Model D manual cover
Pages 44
Year 2021
Language(s)
English en

Behringer Model D Specification

The Behringer Model D is an analog monophonic synthesizer that emulates the classic Minimoog Model D. It features a fully analog signal path, providing authentic vintage sound and warmth. The Model D is equipped with three voltage-controlled oscillators, each capable of producing sawtooth and square waveforms, allowing for rich and complex sound creation. A classic 24dB/octave ladder filter with resonance delivers the iconic sound shaping that is highly sought after in synthesizers.

The unit includes an extensive modulation section, featuring an envelope generator with attack, decay, sustain, and release controls, as well as an LFO with multiple waveform options. The synth also provides a noise generator with white and pink noise options, adding versatility to sound design possibilities. The Model D is semi-modular, offering a range of patch points for extensive modulation routing, making it compatible with Eurorack systems.

Connectivity includes USB and MIDI In/Thru for integration with modern setups, and the unit is equipped with a 3.5mm audio input for external audio processing. The Model D has a rugged metal chassis, ensuring durability for studio and live performance environments. Its compact design makes it convenient for space-conscious musicians while maintaining a full-sized control interface for tactile manipulation.

Overall, the Behringer Model D is celebrated for its authentic replication of classic analog sounds, flexible modulation capabilities, and robust build quality, making it a valuable tool for both seasoned synthesists and newcomers seeking vintage analog tones.

Behringer Model D F.A.Q.

How do I connect the Behringer Model D to my audio interface?

To connect the Behringer Model D to your audio interface, use a 1/4 inch TS cable from the Model D's main output to an input on your audio interface. Ensure the interface is set to the correct input level and that monitoring is enabled.

What is the correct way to calibrate the oscillators on the Model D?

To calibrate the oscillators, allow the Model D to warm up for about 15 minutes. Use a tuner to adjust the tuning trimmers on the back panel until each oscillator is in tune across several octaves.

How can I perform a factory reset on the Behringer Model D?

To perform a factory reset, power off the unit, then hold down the 'A-440' switch while turning the power back on. This will reset the settings to factory defaults.

What should I do if I'm experiencing no sound output from the Model D?

First, check all cable connections and ensure the power supply is connected. Verify that the volume is turned up and the filter is open. Test with a different cable or audio interface input if necessary.

How do I sync the Model D with an external MIDI device?

Connect the MIDI out from your external device to the MIDI in on the Model D. Ensure both devices are set to the same MIDI channel and that the Model D is set to receive external clock signals if necessary.

What maintenance is required to keep the Model D in good condition?

Regularly dust the exterior and keep the unit in a clean, dry environment. Periodically check all connections for wear and ensure the power supply is functioning correctly.

Can I use the Model D with a modular synthesizer setup?

Yes, the Model D can be used with a modular setup. It has CV inputs and outputs for pitch, filter, and volume, allowing integration with other modular gear.

How do I access the extended range of the LFO on the Model D?

To access the extended range of the LFO, use the 'Low' switch to slow down the LFO rate further, allowing for slower modulation effects.

What should I do if I experience tuning instability?

Ensure the unit is adequately warmed up before playing. If instability persists, calibrate the oscillators and check for any external temperature changes affecting the unit.

How can I create a classic bass sound using the Model D?

Set the oscillators to a sawtooth wave, adjust the filter cutoff to a low setting, and increase the resonance slightly. Use the envelope to shape the sound with a fast attack and medium decay.